When I met Seb Chan, the Director of Digital & Emerging Media of the Smithsonian Cooper- Hewitt Labs, National Design Museum, New York, on the sidelines of MuseumNext Amsterdam in May 2013, we talked about how to make collections more visible to museum visitors and engage the community. How we could transform the digital repository into a tangible being, how to place the museum building on the internet and make it participatory. How to weave issues of energy and sustainability into the daily practices of a museum. After some research and consultation with artist colleagues, curator friends and computer programmers, I started thinking of how one would explore a participatory relationship between online digital collections, color search, user-communities and energy use of the museum. This is a research in process and the outcomes are open ended.
The “Light is History” project in November 2012 involved a participatory Museum installation that served as a research object in a public square in the Nordic city of Helsinki. It investigated community participation, energy use, and new media approaches in the public display of energy artifacts from contemporary Nordic material culture. Participating families were requested to inform of their energy consumption and publish their daily energy use for one week onto the project web portal. This data was used to determine the brightness of the individual therapy lamps and to light the artifact displays of the installation for over one week. This research exercise demonstrated that community members were willing to anonymously display information of their personal artifacts and its use in the public place and share their energy use information for the common wellbeing. New media technologies and participatory action was able to bridge the private to the public spaces, the individual to the collective, and exhibit the community’s material culture and energy patterns. The project also established that a shared and collaborative installation space that mimics a museum can be created outside the museum walls that is open-sourced, sustainable, and participatory. The project received funding from Aalto Media Factory at Aalto University and was co-organized in the context of Pixelache / Pixelversity’s Talking (Trash) Lab Lecture Series.
The installation was on view at Hakaniementori from 25.1 to 1.12, from 17 to 19 daily.
Kuusitoista Kalliolaista perhettä on julkistanut päivittäisen energiakulutuksensa nettiportaalissa Light is History-installaatiota varten. Päivittäisen energiankulutuksen erot määrittävät installaatiossa olevien valojen kirkkautta. Kirkkaat valot toimivat kuten kirkasvalolamput, joten ne piristävät ohikulkijoita pimeänä vuodenaikana. Valot on tehty kierrätetyistä, uusiin vaihdetuista sähkömittareista. Osana installaatiota toimii kuvasarja, joka kuvaa teoksen osallistujien päivittäin käyttämiään sähkölaitteita. Yhteisöllinen energiateos Hakaniementorilla visualisoi energian kulutusta avoimessa tilassa. Se elää kaupunkilaisten arjen mukana, jonka olennainen osa energian käyttö on.
Our Energy Art Community Installation ” Light is History” was on demo exhibition at the Helsinki’s first ever D.I.Y. festival: Wärkfest 2012, 20 – 21.10 in Cable Factory Helsinki. The first modular unit, consisting of a therapy lamp and a display case (recycled out of trash electrical meters discarded by the metering company Mitox) was installed on a mannequin borrowed from the Fashion Department for a temporary installation in the exhibition hall. There were a considerable amount of visitors and people from the DIY community visiting our temporary installation and provided us a lot of interesting feedback. Information about the installation, participation forms and recycled electrical meters were on display at our desk. Kids were especially interested in all the inside workings and parts of the electrical meters, one even(pictured above) took home a few pieces, and came back next morning to show his own gadget that he had created overnight. We were also able to sign up participants and distribute information to prospective communities. Most people that signed up were interested in the participatory aspect of donating energy for light therapy in public and also about the community interaction it could generate at the site of the installation. Among others were also visitors who cared about saving energy and reducing their carbon footprint. I also presented the project on the main stage of the festival on Saturday 17.45 using slides of our presentation and the demo modular unit. Now, we have almost reached the upper limit of participants, however still looking for a few more dedicated participants from the Kallio area. We had applied earlier for an art installation permit in Hakaniemi Square (Hakaniementori) which is a central public and community location in Kallio, and today 22.10 we have received permission to put up the installation there! We have also already agreed with Helsingin Energia to provide us with support with this project. The tentative dates of the installation are: 24.11 – 01.12.2012 Hakaniementori, Helsinki.
Presented my updated research plan “The Post-Oil Museum: Building a Sustainable Framework for Heritage Institutions and their User Communities at the Modern Identities Conference at the Ateneum Art Museum, Helsinki on Friday 12th. Other presenters were my colleagues from Medialab, Aalto ARTS including Head of Research Lily Diaz. An interesting presentation was by Sofia Pescarin, CNR (National Research Council) national coordinator of the research “Virtual Heritage: integrated digital technologies for the understanding, and communication of CH through VR systems”. She presented the Virtual Museum Network (V-MUST.NET) framework that addresses the several types of VR museums created around the world until now and how it will try to address open problems and potential further developments in the domain. Themes of the conference were around: Artistic Exchange, The Question of Identity, Gesamtkunstwerk as an ideology in the European Context.
My public art installation was on view for 2 hours at the Ateneum Art Museum as part of the 120 MUSE/UM Exhibition
Text Abstract of Installation /
Public urination, politics and political manipulation are the vices of our urban society. While politicians manipulate, the people urinate. Politics allows control over people, governance and the future our world, while public urination allows the desecration of our urban environment. Both, at some level permit the manipulation of our surroundings. The P-Wall brings together these two disparate phenomena in an effort to initiate a discussion about our civil society.