From the banks of the River Aura, there sits an inconspicuous looking building complex embedded into the urban riverfront fabric of the oldest city of Finland. At first glance one can easily overlook the Aboa Vetus & Ars Nova Museum passing by, but for the curious and the adventurous it would lead to a veritable treasure house of Turku’s medieval history and a temple for the contemporary arts.
The energy artifacts from the Light is History 2012 Installation has been collected and displayed online: http://lightishistory.tumblr.com . This is a preliminary attempt at creating an online repository of objects related to energy and contemporary nordic material culture. All the artefacts displayed here with their narratives were donated by the 16 participating families from Kallio neighbourhood of Helsinki, during the “Light is History” installation, November 24th – December 1st. 2012.
The Teema 13 Seminar was held at the Ateneum Art Museum, which I attended online following the various lectures, videos and tweets. The seminar discussed the availability and usability of public information and cultural heritage materials. One of the tasks of museums is of providing information about cultural heritage openly to the public, so how can this be best organized and managed in a changing world?
My public art installation was on view for 2 hours at the Ateneum Art Museum as part of the 120 MUSE/UM Exhibition
Text Abstract of Installation /
Public urination, politics and political manipulation are the vices of our urban society. While politicians manipulate, the people urinate. Politics allows control over people, governance and the future our world, while public urination allows the desecration of our urban environment. Both, at some level permit the manipulation of our surroundings. The P-Wall brings together these two disparate phenomena in an effort to initiate a discussion about our civil society.
This is an architectural and exhibition entry to a National competition call in 2008 for the design of a national pavilion for Finland in the World Expo 2010 at Shanghai.
Our design presented the pavilion as the bark of a Koivu (Birch) tree, rough on the exterior, smooth and sophisticated in the interior, somewhat representing the Finnish personality. It is reflected in the culture, the lifestyle and the architecture where truth, simplicity and beauty are held supreme. A self-contained world wherein self-realization and self-exploration create a new philosophy. The architecture of the Finnish pavilion represents this concept.
In the glitter and brightness of the world’s expo, the Finnish pavillion is a building turned outside in. Introverted in approach, it creates a separate and protected world in a foreign land. At a place where other pavilions are competing and clamouring for attention, the Finnish pavillion subtly attracts people who are willing and interested to delve and discover the finnish culture and traditions.