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Sustainability

Research Project: The Cooper Hewitt Smithsonian Design Museum (May 2014 – June 2015)

“Powering the Cooper Hewitt” project will investigate a sustainable framework for the Cooper Hewitt, Smithsonian Design Museum. It will explore a participatory relationship between design collections, color search, user- communities and energy use of the museum. It will examine the links between energy & social metrics of museum’s user communities, analyzes carbon footprints and behavior of accessing digital artifacts by community from the museum’s collections. Finally, it aims to implement a participatory museum installation wherein the museum’s saved energy fosters a collection of its community’s design objects and energy stories matched to the museum’s own cloud collections.

See related post about the Energy Art Installation at the Cooper Hewitt Smithsonian Design Museum: http://samirbhowmik.cc/2014/06/14/energy-art-installation-smithsonian-cooper-hewitt-national-design-museum-new-york/

Light is History – Hakaniemi Market Square Helsinki 25.11 – 01.2012

The “Light is History” project in November 2012  involved a participatory Museum installation that served as a research object in a public square in the Nordic city of Helsinki. It investigated community participation, energy use, and new media approaches in the public display of energy artifacts from contemporary Nordic material culture. Participating families were requested to inform of their energy consumption and publish their daily energy use for one week onto the project web portal. This data was used to determine the brightness of the individual therapy lamps and to light the artifact displays of the installation for over one week. This research exercise demonstrated that community members were willing to anonymously display information of their personal artifacts and its use in the public place and share their energy use information for the common wellbeing. New media technologies and participatory action was able to bridge the private to the public spaces, the individual to the collective, and exhibit the community’s material culture and energy patterns. The project also established that a shared and collaborative installation space that mimics a museum can be created outside the museum walls that is open-sourced, sustainable, and participatory. The project received funding from Aalto Media Factory at Aalto University and was co-organized in the context of Pixelache / Pixelversity’s Talking (Trash) Lab Lecture Series.

The installation was on view at Hakaniementori from 25.1 to 1.12, from 17 to 19 daily.

See the process: http://designresearch.aalto.fi/projects/lih/

See the Artifacts: lightishistory.tumblr.com/

See Trashlab:  http://www.pixelache.ac/pixelversity/trashlab/

(Briefly in Finnish)

Kuusitoista Kalliolaista perhettä on julkistanut päivittäisen energiakulutuksensa nettiportaalissa Light is History-installaatiota varten. Päivittäisen energiankulutuksen erot määrittävät installaatiossa olevien valojen kirkkautta. Kirkkaat valot toimivat kuten kirkasvalolamput, joten ne piristävät ohikulkijoita pimeänä vuodenaikana. Valot on tehty kierrätetyistä, uusiin vaihdetuista sähkömittareista. Osana installaatiota toimii kuvasarja, joka kuvaa teoksen osallistujien päivittäin käyttämiään sähkölaitteita. Yhteisöllinen energiateos Hakaniementorilla visualisoi energian kulutusta avoimessa tilassa. Se elää kaupunkilaisten arjen mukana, jonka olennainen osa energian käyttö on.

Projektia on tukenut Aalto Media Factory ja Aalto Yliopisto. Installaatio on nähtävillä 1.12. asti 17-19 välillä päivittäin.
Lue lisää: http://designresearch.aalto.fi/projects/lih/ ; lightishistory.tumblr.com/

Light is History – WärkFest 2012 – Cable Factory Helsinki

Our Energy Art Community Installation ” Light is History” was on demo exhibition at the Helsinki’s first ever D.I.Y. festival: Wärkfest 2012, 20 – 21.10 in Cable Factory Helsinki. The first modular unit, consisting of a therapy lamp and a display case (recycled out of trash electrical meters discarded by the metering company Mitox) was installed on a mannequin borrowed from the Fashion Department for a temporary installation in the exhibition hall. There were a considerable amount of visitors and people from the DIY community visiting our temporary installation and provided us a lot of interesting feedback. Information about the installation, participation forms and recycled electrical meters were on display at our desk. Kids were especially interested in all the inside workings and parts of the electrical meters, one even(pictured above) took home a few pieces, and came back next morning to show his own gadget that he had created overnight. We were also able to sign up participants and distribute information to prospective communities. Most people that signed up were interested in the participatory aspect of donating energy for light therapy in public and also about the community interaction it could generate at the site of the installation. Among others were also visitors who cared about saving energy and reducing their carbon footprint. I also presented the project on the main stage of the festival on Saturday 17.45 using slides of our presentation and the demo modular unit. Now, we have almost reached the upper limit of participants, however still looking for a few more dedicated participants from the Kallio area. We had applied earlier for an art installation permit in Hakaniemi Square (Hakaniementori) which is a central public and community location in Kallio, and today 22.10 we have received permission to put up the installation there! We have also already agreed with Helsingin Energia to provide us with support with this project. The tentative dates of the installation are: 24.11 – 01.12.2012 Hakaniementori, Helsinki.

Join us in our effort to initiate a public discussion of energy consumption and community well being at: http://designresearch.aalto.fi/projects/lih/

Post-Oil Museum – Modern Identities Conference – Ateneum Art Museum 12.10.12

Presented my updated research plan “The Post-Oil Museum: Building a Sustainable Framework for Heritage Institutions and their User Communities at the Modern Identities Conference at the Ateneum Art Museum, Helsinki on Friday 12th. Other presenters were my colleagues from Medialab, Aalto ARTS including Head of Research Lily Diaz. An interesting presentation was by Sofia Pescarin, CNR (National Research Council) national coordinator of the research “Virtual Heritage: integrated digital technologies for the understanding, and communication of CH through VR systems”. She presented the Virtual Museum Network (V-MUST.NET) framework that addresses the several types of VR museums created around the world until now and how it will try to address open problems and potential further developments in the domain. Themes of the conference were around: Artistic Exchange, The Question of Identity, Gesamtkunstwerk as an ideology in the European Context.

Ecomuseums 2012 Conference, Seixal, Portugal

The first ever Ecomuseum Conference organized by the Greenlines Institute was held in Seixal, Portugal between 19 – 21st September. I was a delegate and observer to the proceedings for 3 days that included international museum professionals from around the world who expressed their views about the new generation of upcoming ecomuseums. The conference also included a day tour of all the local Ecomuseums of Seixal., and a sailing boat trip on the river Tagus!DSC00818

Exhibition Design for the Finnish Pavilion at the World Expo held in Shanghai 2010

This is an architectural and exhibition entry to a National competition call in 2008 for the design of a national pavilion for Finland in the World Expo 2010 at Shanghai.

Our design presented the pavilion as the bark of a Koivu (Birch) tree, rough on the exterior, smooth and sophisticated in the interior, somewhat representing the Finnish personality. It is reflected in the culture, the lifestyle and the architecture where truth, simplicity and beauty are held supreme. A self-contained world wherein self-realization and self-exploration create a new philosophy. The architecture of the Finnish pavilion represents this concept.

In the glitter and brightness of the world’s expo, the Finnish pavillion is a building turned outside in. Introverted in approach, it creates a separate and protected world in a foreign land. At a place where other pavilions are competing and clamouring for attention, the Finnish pavillion subtly attracts people who are willing and interested to delve and discover the finnish culture and traditions.